In the world of progressive and melodic house, few artists have carved out a sound as emotionally rich and forward-thinking as Farius. Known for his deep grooves, cinematic melodies, and refined production style, Farius has become a respected name among electronic music lovers worldwide.
Just before his set at Bootshaus in Cologne, we got chance for a quick chat in person with Farius.
Hello, Adam. How are you? And how has 2025 been so far for you?
This is my last show of the year, and it’s been going incredibly well. It’s honestly been an amazing year, one of those years where I have to pinch myself when I think back on all the shows I’ve played, the artists I’ve worked with and everything that’s happened.
How did Adam become Farius?
I studied classical music for a long time. After leaving music college, I needed to earn some money. So started DJing on the London scene and over time discovered my true love for trance and progressive music. The real turning point was discovering Above & Beyond and their radio show “Group Therapy”. It genuinely made me think, “This is incredible.” That’s when I came up with the name “Farius”. It was about creating an identity that represented the music I truly love.
Your latest single on Anjunabeats, “Tense”, tell us more about it.
“Tense” was written in 2024 specifically for A State of Trance in Rotterdam. When I wrote it, I imagined playing it at a show like ASOT, premiered it there and played it at a few other shows. After that, spoke with Anjunabeats and they wanted to sign it. It’s often a long process, but I’m really happy with how it turned out and the response has been amazing.
When you produce a track, you produce for any specific label, or do you just follow the idea?
When I walk into the studio, usually have an initial idea. For example wanting to write something for ASOT but nine times out of ten have to leave the studio with something completely different from what was planned. I don’t write music specifically for labels but for myself and then test it out in clubs.
What impact do you think AI is having to both as a listener and as a producer?
As a producer there are a lot of benefits but AI can’t replace human creativity. Today Estiva and I were driving from Amsterdam and listened to a new track where the entire vocal was AI-generated and it sounded amazing. I even said I wouldn’t want to be a singer in dance music right now, which is worrying. That said AI offers many useful production tools and at the same time there needs to be a serious conversation between major record labels and streaming platforms about the long-term impact of AI not just on dance music but on music as a whole.
What are you expecting tonight at Bootshaus?
Amazing vibes, this is a club I wanted to play for years. I’ve played all over the world but Bootshaus is such a special venue. For me this is honestly a dream come true. It’s not often I get to play after Above & Beyond, usually open for them.
Any plans you can reveal for 2026?
There’s a lot coming up, some really exciting releases planned, more music on Anjunabeats, couple of records on Enhanced and one on ASOT. Later in the year I’m hoping to start self-releasing on my own label. I’ve also just launched my own party brand QTS, in London and next year I plan to take it to the United States for some small intimate shows.
Trance will make a comeback next year? What’s your take?
Where did it go? Look at Above & Beyond, they’re still selling out arenas worldwide. Artists like Ben Hemsley, Hannah Lang and KI/KI are pushing a faster 140 BPM, almost Euro-trance sound and I think that’s great. I genuinely don’t think trance ever went away.
Any message for your fans around the world?
Thank you for listening and streaming. The validation and encouragement from fans especially the feedback and reactions on social media, it means everything. That’s what motivates me to go back into the studio the next day and knowing how much the music impacts people.
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