AATMA doesn’t treat Ehsaas like a typical album. Instead of putting everything out at once, he’s been releasing it slowly, one track at a time. And honestly, that changes the way you listen. You don’t just skip through songs, you spend time with them. If you want to check it out, it’s here:
https://open.spotify.com/album/6JJTIzEJIH5scb3SKTbUlY

What I liked right away is how effortless the mix of Indian classical and electronic sounds feels. It’s not trying to prove anything. The classical parts carry emotion, while the electronic side gives it space to breathe. It feels calm in places, a bit introspective in others, and never overdone.

Some tracks take their time to grow on you. Sukoon, Subah, even Mahadev they’re not loud or flashy, but they stay in your head. You notice small details on repeat listens, and that’s where the album really starts to connect. It’s the kind of music you put on when you’re not in a rush.

You can also tell this wasn’t made quickly. The album took a few years, and it shows. It feels more like someone figuring things out through music rather than chasing a trend or trying to fit into a scene. That honesty comes through without being forced.

Most music today is made to grab attention fast. Ehsaas does the opposite. It slows things down. And if you give it time, it actually gives something back which is rare.

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