Dysphemic is back with a new album for the new decade. Dysphemic appears to know no boundaries when it comes to genre or tempo. A single-track could be defined as Dubstep, House, Drum & Bass, even Middle Eastern Trap, but no matter the style, the sound is always bass-heavy, epic, melodic & cinematic.
Following the Australian native’s ‘Mind Bandit’ EP from last year, the bass music phenom’s new ‘Apollo’ LP is a highly-anticipated and welcomed addition to his rolodex. Out now on Dysphemic Productions, the 7-track release, in its entirety, is a master lesson in meticulously crafted psychedelic. Cinematic in nature and scope, the latest from Dysphemic stylistically feels like a soundtrack to a viscerally epic film. Licking off the album with a high-octane heavy-hitter, ‘Peyote Demon’ sets a high precedent for the rest of the LP to follow. Taking it in a more percussive direction, ‘Desert Hawk’ is a no-holds-barred romp of a track featuring subtle hints of drum and bass from start-to-finish. ‘Primate’ keeps up the massive tempo, characterized by its gritty tone and sharp synth lines. Following, ‘Arch Angel’ and ‘Lost Brothers’ both start out with slow, melodic instrumentation before blowing up into huge dub-laden behemoths. The penultimate tune, ‘Tripeando Denso’ is a psychedelic rollercoaster replete with abrupt waves of wobbly sound effects. Lastly, ‘Journey’ rounds everything out with its commanding energy, the perfect end to Dysphemic’s ‘Apollo’.
Dysphemic showcases his progression as producer flawlessly in his latest offering. With the help of his brother, Yiani Treweeke, ‘Apollo’ stands out as a unique masterpiece much unlike anything heard before it.
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